Benoît Lachambre

Benoît Lachambre has been evolving in the field of dance since the 1970s. He discovered the release technique in 1985 – a kinaesthetic approach to movement and improvisation – causing a shift in his choreographic style. He devoted himself to an exploratory approach of movement and its sources, with the aim to seek the authenticity of the gesture. His significantly radical approach is based on the awakening of senses, imagining the dreaming body transformating outside the notion of self, with the analyses of gesture in the context of a living environment. In his creations, he equally aims at modifying the performer’s empathic experience with the audience. Among those artists who influenced him the most are Meg Stuart and Amélia Itcush. Beyond his work as choreographer and dancer, Benoît Lachambre has gained a high degree of recognition as a teacher through his renowned workshops and classes that he has offered around the world for over 20 years. In 1996, Benoît Lachambre founded his own company Par B.L.eux in Montréal: “B.L.” for Benoît Lachambre, and “eux” for “them.” He continues to develop artistic encounters and dynamic exchanges, collaborating with numerous international choreographers and artists from different disciplines: Boris Charmatz, Sasha Waltz, Marie Chouinard, Louise Lecavalier and again with Meg Stuart and musician Hahn Rowe; with the latter he created one of his masterpieces Forgeries, Love and other Matters in 2003 for which he received the prestigious Bessie Award in 2006. Benoît Lachambre is one of the major artists/choreographers of his generation, has created 15 works since the foundation of Par B.L.eux, participated in more than 20 others productions and was the choreographer of 25 commissioned works, for example I is memory (solo for Louise Lecavalier in 2006) and JJ’s Voice that he created for Cullberg Ballet in Stockholm in 2009. In March 2013, he created High heels too, a new choreography commissioned by the Cullberg Ballet. In 2013, Benoît Lachambre received le Grand prix de la Danse de Montréal 2013, for the work Snakeskins. In 2014, he received the ‘Best Choreography’ award from the Conseil des arts et des lettres du Québec, for Prisms, a Montréal Danse commissioned-work. Hyperterrestres, a co-production with French choreographer Fabrice Ramalingom and composer Hahn Rowe, had its North American premiere during the Festival TransAmériques in Montréal in May 2015. Lifeguard his latest creation will be presented during June Events in Paris on June 17th and 18th, 2016.