January Workshop 2017 with Nancy Stark Smith

including Mike Vargas and other guests

Programming category: 
January 8, 2017 - 2:00pm - January 27, 2017 - 3:00pm

A 3-week intensive for dancers with experience in Contact Improvisation (intermediate level).

Contact Improvisation
Solo Training • Changing States
Composition • Performance
Improvisation Scores • The Underscore

This residential workshop is specifically designed to develop our practice of Contact Improvisation and other related improvised dance work. It includes physical training, improvisation and composition scores, listening practice, jamming, watching, discussion, feedback, labs, contemplative practice, and performance studies. In solo, duet, trio, and group work; in and out of contact; in silence and with live music, we will move toward greater clarity and depth in our dancing and watching. Please come prepared physically and psychologically for intensive practice (and a bit of fun!).

Monday–Friday, 10am-6pm
There will be some early morning, evening, and weekend activities.
Workshop involvement is fulltime with the exception of some weekend time – please don't schedule other things during the workshop.

For pricing and more information: www.nancystarksmith.com

januaryworkshop [at] nancystarksmith [dot] com

(Photo credit: Taipei with Yeong Wen Lee, photo courtesy of Ku & Dancers)

Nancy Stark Smith

Nancy Stark Smith first trained as an athlete and gymnast, leading her to study and perform modern and postmodern dance in the early 1970s, greatly influenced by the dance/theater improvisation group the Grand Union and the Judson Dance Theater breakthroughs of the 1960s in NYC. She graduated from Oberlin College with a degree in dance and writing. In 1972, she danced in the first performances of Contact Improvisation in NYC and has since been central to its development as a dancer, teacher, performer, organizer, and writer/publisher, working extensively over the years with Steve Paxton and others.

She travels throughout the world teaching and performing Contact and other improvised dance work at festivals, schools, and art centers, working with many favorite dance partners and performance makers including Ray Chung, Karen Nelson, Andrew Harwood, Julyen Hamilton, and musician Mike Vargas.

In 1975, she cofounded Contact Quarterly, a vehicle for moving ideas, an international dance and improvisation journal, which she continues to coedit and produce with Lisa Nelson, as well as codirecting Contact Editions which produces and distributes non-periodical new dance literature. Her first book Caught Falling: The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas, with David Koteen, came out in 2008. Her writings also appear in the book Taken By Surprise: A Dance Improvisation Reader, published by Wesleyan University Press. Her work is also examined in Melinda's Buckwalter's new book, Composing While Dancing: An Improviser's Companion

The film The Poetics of Touch is a portrait of Nancy Stark Smith and Contact Improvisation, shot at Casina Settarte by Sara Pozzoli and Germana Siciliani. She is also interviewed about the Underscore in the video An Emergent Underscore produced by Marlon Barrios Solano.

Throughout all her activities, she continues to explore the body-mind states that are generated while dancing, the life cycle of form as it manifests in improvisation, and how any of this research can be communicated in performance and in print. She lives in Western Massachusetts. www.nancystarksmith.com

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