Moving the Environment: Questions into Form with Daniel Lepkoff

December 8, 2016 - 5:00pm - December 11, 2016 - 3:00pm

In this work, the form and composition of our ongoing interactions with our environment are considered as "danced composition." The work can be applied directly to performance and is open to anyone who is interested in movement as a language for communication. This workshop offers practical tools for researching our functional movement and reflexes. Specific exercises look at the details inside of ordinary movement: running, walking, standing, crawling, reaching, stillness...and more. This work is a viewpoint and approach to movement that considers the body's ongoing interactions with the environment as material for dance. The exercises are designed to inspire our imagination and create mystery, questions, music, and geometry.
Photo by Dora Attila

Tuition, Room & Board (tiered for accessibility)
Professional: $400
Full:                $350
Subsidized:   $300 

 

 

Our Sliding Scale

 

The fees to attend Earthdance Jams and Workshops are priced on a sliding scale. Please pay at the highest level of the sliding scale that you can afford. This allows others who need to pay less the opportunity to attend.

 

The Professional Rate is for people comfortably paying their rent or mortgage, and who can afford the occasional meal out and movie. The Professional Rate level also helps us offer lower prices to those who could otherwise not afford to attend.

 

The Full Rate is for those who have a regular income and are paying their mortgage or rent. Prices at this level contribute to the range of operating costs.

 

The Subsidized Rate is for those without an income or with an income low enough that making ends meet is a challenge.

 
Work Study and Scholarships are often, but not always, available to offset the costs for Earthdance events.

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Faculty
Daniel Lepkoff

Beginning in the early '70's Daniel Lepkoff played a central role in the development of Release Technique with John Rolland and Mary Fulkerson, and Contact Improvisation with Steve Paxton. Through ongoing experimentation with new forms of performance, workshoping specific questions about movement, intense periods of personal movement research, and an ongoing stream of collaborations with improvising artists, Daniel has slowly expanded and deepened his understanding of functional movement and the presence of the imagination in the body.

As a performer he is known for composing dances that arises from the process of living movement and as a teacher for his continual invention of original techniques, making direct contact with information and pursuing questions together with students. He is one of the founders of Movement Research in NYC. He works internationally and lives on a piece of land in Vermont.

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